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Programmes

Kun-Woo Paik, a Representative Korean Pianist

Kun-Woo Paik, a Representative Korean Pianist

  • Director Kun-Woo Paik
  • Cast -
  • Running Time 91Minutes
  • Screening Date

Kun Woo Paik was born in Seoul. He gave his first concert, aged 10, with the Korean National Orchestra, playing Grieg's Piano Concerto. In the following years he performed many important works in Korea, including several local premieres such as Mussorgsky's Pictures at an Exhibition. Later he studied in New York (Juilliard School), London, and in Italy with Rosina LhévinneIlona KabosGuido Agosti and Wilhelm Kempff. Kun Woo Paik is also a laureate of the Naumburg and Busoni International Piano Competitions.


[Kun-Woo Paik, Piano Recital Screening]

 

The world famous Korean pianist Kun-Woo Paik will provide a special stage to celebrate the 100th anniversary of the death of the Russian composer Alexander Scriabin. It will showcase refreshing interpretations of Russian repertoires at the hands of Kun-Woo Paik, who has captivated audiences with unique inspirations. 

 

 

[Program Note]

 

A. Scriabin / 24 Preludes, Op.11

 

Scriabin was born in Moscow and studied at Moscow Conservatory. He was not only a composer who made substantial contributions to the creation of new harmony, but also a pianist. Throughout his life, he was devoted to composing preludes. His musical inspiration was crystalized in small compositions called “Preludes for Piano.” Twenty-four preludes were selected from those he composed between 1888 and 1896. With similar arrangements as Chopin’s “24 Preludes,” they were released in 1897 as “24 Preludes, Op.11.” While they show traces of Chopin’s influences, they also provide Scriabin’s creative individuality.

 

 

S. Rachmaninoff / Piano Sonata No.1 in d minor, Op.28

 

Rachmaninoff composed “Piano Sonata No.1 in d minor, Op.28” while staying in Dresden, Germany. Inspired by Goethe’s Faust, he tried to express the story in a piano sonata. After numerous trials, he finally completed a piano sonata in 1908 and performed it for the first time on October 17, 1908. It is modestly Classical with heavy touches of late Romanticism.